Richard Emery Nickolson

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Selected Bibliography

“Artists Vase Invitational;” Ceramics Monthly; Volume 37, Number 5, May 1989,
     pp 50-51.

“La creation americaine contemporain a l’espace Melanie;” Le Telegramme;
     Riec-sur-Belon, France, 20 Juin 1995.

“Retreat for Artists Has Second Season;” Alfred Reporter; Alfred, New York;
     Volume 8, Number 3, September 1984, p 3.

“Six sculpteurs americains contemporains a l’espace Melanie;” Ouest France;
     Pont-Aven, France, 10 Juin 1995.

Berry, S. L.; “The Art of War;” The Indianapolis Star; Indianapolis, Indiana;
     Section E, 27 October 2000; pp 1-2.

Burns, Sarah; “Figurative Painting;” The New Art Examiner; Volume 8, Number 7,
     April 1981, p 23.

Burns, Sarah; “Richard Nickolson, Michael Slaski;” The New Art Examiner;
     Volume 7, Number 2, November 1979, p 3.

Day, Holliday T.; “Indianapolis, Cincinnati, Dayton;” Art in America;
     July-August 1979, pp 68-71.

Dibner, Martin; “Maryland Artists Today;” traveling exhibition catalog for the
     Maryland Arts Council; Baltimore, Maryland; 1967.

Ferrulli, Helen; “Massachusetts Avenue Abounds with Art;” Arts Insight;
     Volume 7, Number 6, September 1985, p 14.

Fry, Donn; “Nickolson Treads Artistic Tightrope;” The Indianapolis Star;
     25 May 1980, Section 8, p 11.

Funkhouser, Barbara; “Diversity and Quality...;” The El Paso Times; 5 December 1976,
     pp 2-3.

Grossman, Dan; “Visual Art Reviews;” NUVO; Volume 23, Issue 36, 2012; p. 22.

 Hails, Doris Vlasek; “Individual Aesthetics;” Horizon; Volume 30, Number 5,
     June 1987, pp 20-21.

Harrison, William B.; Art at Work:  Forty Years of the JPMorgan Chase Collection;
     JPMorgan Chase; New York, New York; 2000.

Hubbard, Tom, et al; “Semper Fidelus:  How I Met My Father;” Kent State University Art 
     Gallery; Kent, Ohio; 2012.

Krebs, Betty Dietz; “Exhibition reveals artists views of the cityscape;”
     The Dayton Daily News and Journal    Herald; 20 September 1986, p 28.

Mahler, Annemarie; “Precision, Clarity, Purity, Highlight Gallery Exhibit;”
     Indiana Arts Insight; Volume 1, Number 7, November 1979, p 12.

Mannheimer, Steve; “Vase show brings forth artist’s decorative best;”
     The Indianapolis Star; 20 November 1988, Section E, p 14.

Moore, Julia Muney; “The Art of Combat:  Artists and the Vietnam War, Then and Now;”
     Indianapolis Art Center; Indianapolis, Indiana; 2000.

Nickolson, Richard Emery, Ellen Lee and Sandra Roos; “The Alignements;”
     Indianapolis, Indiana; 2000.

Parkhurst, Charles; “The Maryland Regional Exhibition;” Baltimore Museum of Art;
     Baltimore, Maryland; 1967.

Patterson, Carrie, et al; “Re-Generation;” The Painting Center; New York, New York; 2012.

Pratt-McQuiston, Julie; “Thoughtful Geometries;” Nuvo Newsweekly; Volume 11,
     Issue 44, 4 January 2001, p 16.

Pura, William; “Crossroads;” Gallery 1.1.1., The University of Manitoba;
     Winnipeg, Manitoba, Canada; 1988.

Robertson, Jean; “Richard Nickolson;” The New Art Examiner; Volume 17, Number 5,
     January 1990, p 49.

Schwiesow, Deirdre R.; “Vermeer fans brave nature, politics to see exhibit;”
     USA Today; Arlington, Virginia, 7 February 1996, Volume 14, No. 101, p 4D.

Sylvester, Stephen; “Heartland;” Dialogue:  An Art Journal; September/October 1986,
     pp 32-33.

Thomas, Thomas; Directions; Indiana University Press; Bloomington and Indianapolis,
     Indiana; 1995.

Warkel, Harriet G., Martin F. Krause and S. L. Berry; The Herron Chronicle; Indiana
     University Press; Bloomington and Indianapolis, Indiana; 2003.

Watson, Tod, and Emily Watson; Maize; The Writers’ Center of Indiana; Indianapolis,
     Indiana; Issue 4, September 2005, pp 24-26. 

Wolin, Jeffrey; Inconvenient Stories:  Vietnam War Veterans; Umbrage Editions;
     New York, New York; 2006.


© 2012 Richard Emery Nickolson