Selected Bibliography
“Artists Vase Invitational;” Ceramics
Monthly; Volume 37, Number 5, May 1989,
pp 50-51.
“La creation americaine contemporain a l’espace Melanie;” Le Telegramme;
Riec-sur-Belon, France, 20 Juin 1995.
“Retreat for Artists Has Second Season;” Alfred Reporter; Alfred, New York;
Volume 8, Number 3, September 1984, p 3.
“Six sculpteurs americains contemporains a l’espace Melanie;” Ouest France;
Pont-Aven, France, 10 Juin 1995.
Berry, S. L.; “The Art of War;” The Indianapolis Star; Indianapolis, Indiana;
Section E, 27 October 2000; pp 1-2.
Burns, Sarah; “Figurative Painting;” The New Art Examiner; Volume 8, Number 7,
April 1981, p 23.
Burns, Sarah; “Richard Nickolson, Michael Slaski;” The New Art Examiner;
Volume 7, Number 2, November 1979, p 3.
Day, Holliday T.; “Indianapolis, Cincinnati, Dayton;” Art in America;
July-August 1979, pp 68-71.
Dibner, Martin; “Maryland Artists Today;” traveling exhibition catalog for the
Maryland Arts Council; Baltimore, Maryland; 1967.
Ferrulli, Helen; “Massachusetts Avenue Abounds with Art;” Arts Insight;
Volume 7, Number 6, September 1985, p 14.
Fry, Donn; “Nickolson Treads Artistic Tightrope;” The Indianapolis Star;
25 May 1980, Section 8, p 11.
Funkhouser, Barbara; “Diversity and Quality...;” The El Paso Times; 5 December 1976,
pp 2-3.
Grossman, Dan; “Visual Art Reviews;” NUVO; Volume 23, Issue 36, 2012; p. 22.
Hails, Doris Vlasek; “Individual Aesthetics;” Horizon; Volume 30, Number 5,
June 1987, pp 20-21.
Harrison, William B.; Art at Work: Forty Years of the JPMorgan Chase Collection;
JPMorgan Chase; New York, New York; 2000.
Hubbard, Tom, et al; “Semper Fidelus: How I Met My Father;” Kent State University Art
Gallery; Kent, Ohio; 2012.
Krebs, Betty Dietz; “Exhibition reveals artists views of the cityscape;”
The Dayton Daily News and Journal Herald; 20 September 1986, p 28.
Mahler, Annemarie; “Precision, Clarity, Purity, Highlight Gallery Exhibit;”
Indiana Arts Insight; Volume 1, Number 7, November 1979, p 12.
Mannheimer, Steve; “Vase show brings forth artist’s decorative best;”
The Indianapolis Star; 20 November 1988, Section E, p 14.
Moore, Julia Muney; “The Art of Combat: Artists and the Vietnam War, Then and Now;”
Indianapolis Art Center; Indianapolis, Indiana; 2000.
Nickolson, Richard Emery, Ellen Lee and Sandra Roos; “The Alignements;”
Indianapolis, Indiana; 2000.
Parkhurst, Charles; “The Maryland Regional Exhibition;” Baltimore Museum of Art;
Baltimore, Maryland; 1967.
Patterson, Carrie, et al; “Re-Generation;” The Painting Center; New York, New York; 2012.
Pratt-McQuiston, Julie; “Thoughtful Geometries;” Nuvo Newsweekly; Volume 11,
Issue 44, 4 January 2001, p 16.
Pura, William; “Crossroads;” Gallery 1.1.1., The University of Manitoba;
Winnipeg, Manitoba, Canada; 1988.
Robertson, Jean; “Richard Nickolson;” The New Art Examiner; Volume 17, Number 5,
January 1990, p 49.
Schwiesow, Deirdre R.; “Vermeer fans brave nature, politics to see exhibit;”
USA Today; Arlington, Virginia, 7 February 1996, Volume 14, No. 101, p 4D.
Sylvester, Stephen; “Heartland;” Dialogue: An Art Journal; September/October 1986,
pp 32-33.
Thomas, Thomas; Directions; Indiana University Press; Bloomington and Indianapolis,
Indiana; 1995.
Warkel, Harriet G., Martin F. Krause and S. L. Berry; The Herron Chronicle; Indiana
University Press; Bloomington and Indianapolis, Indiana; 2003.
Watson, Tod, and Emily Watson; Maize; The Writers’ Center of Indiana; Indianapolis,
Indiana; Issue 4, September 2005, pp 24-26.
Wolin, Jeffrey; Inconvenient Stories: Vietnam War Veterans; Umbrage Editions;
New York, New York; 2006.
pp 50-51.
“La creation americaine contemporain a l’espace Melanie;” Le Telegramme;
Riec-sur-Belon, France, 20 Juin 1995.
“Retreat for Artists Has Second Season;” Alfred Reporter; Alfred, New York;
Volume 8, Number 3, September 1984, p 3.
“Six sculpteurs americains contemporains a l’espace Melanie;” Ouest France;
Pont-Aven, France, 10 Juin 1995.
Berry, S. L.; “The Art of War;” The Indianapolis Star; Indianapolis, Indiana;
Section E, 27 October 2000; pp 1-2.
Burns, Sarah; “Figurative Painting;” The New Art Examiner; Volume 8, Number 7,
April 1981, p 23.
Burns, Sarah; “Richard Nickolson, Michael Slaski;” The New Art Examiner;
Volume 7, Number 2, November 1979, p 3.
Day, Holliday T.; “Indianapolis, Cincinnati, Dayton;” Art in America;
July-August 1979, pp 68-71.
Dibner, Martin; “Maryland Artists Today;” traveling exhibition catalog for the
Maryland Arts Council; Baltimore, Maryland; 1967.
Ferrulli, Helen; “Massachusetts Avenue Abounds with Art;” Arts Insight;
Volume 7, Number 6, September 1985, p 14.
Fry, Donn; “Nickolson Treads Artistic Tightrope;” The Indianapolis Star;
25 May 1980, Section 8, p 11.
Funkhouser, Barbara; “Diversity and Quality...;” The El Paso Times; 5 December 1976,
pp 2-3.
Grossman, Dan; “Visual Art Reviews;” NUVO; Volume 23, Issue 36, 2012; p. 22.
Hails, Doris Vlasek; “Individual Aesthetics;” Horizon; Volume 30, Number 5,
June 1987, pp 20-21.
Harrison, William B.; Art at Work: Forty Years of the JPMorgan Chase Collection;
JPMorgan Chase; New York, New York; 2000.
Hubbard, Tom, et al; “Semper Fidelus: How I Met My Father;” Kent State University Art
Gallery; Kent, Ohio; 2012.
Krebs, Betty Dietz; “Exhibition reveals artists views of the cityscape;”
The Dayton Daily News and Journal Herald; 20 September 1986, p 28.
Mahler, Annemarie; “Precision, Clarity, Purity, Highlight Gallery Exhibit;”
Indiana Arts Insight; Volume 1, Number 7, November 1979, p 12.
Mannheimer, Steve; “Vase show brings forth artist’s decorative best;”
The Indianapolis Star; 20 November 1988, Section E, p 14.
Moore, Julia Muney; “The Art of Combat: Artists and the Vietnam War, Then and Now;”
Indianapolis Art Center; Indianapolis, Indiana; 2000.
Nickolson, Richard Emery, Ellen Lee and Sandra Roos; “The Alignements;”
Indianapolis, Indiana; 2000.
Parkhurst, Charles; “The Maryland Regional Exhibition;” Baltimore Museum of Art;
Baltimore, Maryland; 1967.
Patterson, Carrie, et al; “Re-Generation;” The Painting Center; New York, New York; 2012.
Pratt-McQuiston, Julie; “Thoughtful Geometries;” Nuvo Newsweekly; Volume 11,
Issue 44, 4 January 2001, p 16.
Pura, William; “Crossroads;” Gallery 1.1.1., The University of Manitoba;
Winnipeg, Manitoba, Canada; 1988.
Robertson, Jean; “Richard Nickolson;” The New Art Examiner; Volume 17, Number 5,
January 1990, p 49.
Schwiesow, Deirdre R.; “Vermeer fans brave nature, politics to see exhibit;”
USA Today; Arlington, Virginia, 7 February 1996, Volume 14, No. 101, p 4D.
Sylvester, Stephen; “Heartland;” Dialogue: An Art Journal; September/October 1986,
pp 32-33.
Thomas, Thomas; Directions; Indiana University Press; Bloomington and Indianapolis,
Indiana; 1995.
Warkel, Harriet G., Martin F. Krause and S. L. Berry; The Herron Chronicle; Indiana
University Press; Bloomington and Indianapolis, Indiana; 2003.
Watson, Tod, and Emily Watson; Maize; The Writers’ Center of Indiana; Indianapolis,
Indiana; Issue 4, September 2005, pp 24-26.
Wolin, Jeffrey; Inconvenient Stories: Vietnam War Veterans; Umbrage Editions;
New York, New York; 2006.